Hiển thị các bài đăng có nhãn Buenos. Hiển thị tất cả bài đăng
Hiển thị các bài đăng có nhãn Buenos. Hiển thị tất cả bài đăng

Thứ Tư, 15 tháng 5, 2013

Buenos Aires launches tours for Argentine pope

BUENOS AIRES (AP) — You can see the streets where he grew up and played soccer, the church where Jorge Bergoglio prayed as a teenager and the cathedral where the man who would become Pope Francis said Mass. You can even visit the stand where he bought his newspapers every weekend and where he went for a haircut.

With an Argentine on the throne of St. Peter, the South American country's capital city has launched a series of guided tours to give visitors a glimpse of the places that formed Francis, even if the bus and walking tours are just a modest, and so far non-commercial first stab at papal tourism.

The tour bus is a single-story cruiser with sealed windows above a huge image on each side of Francis and the words "Pope Circuit" in papal yellow, which also happens to be the official color of the metropolitan government that began offering the tours last weekend.

For three hours, the bus winds through Buenos Aires twice each Saturday and Sunday and can carry about 40 passengers, rolling past 24 sites linked to the new pope, but stopping only twice and leaving little opportunity for snapshots. There's no charge for the trip, or for more limited walking tours of downtown and neighborhood sites offered on Tuesdays and Thursdays.

"I loved the tour ... It's to live the history of Bergoglio, of his family, and I also visited his neighborhood, which I had never seen," said Alicia Perez, a 71-year-old Argentine who was one of the few non-journalists on inaugural bus tour.

The house at 531 Membrillar where the pope and four siblings grew up with his mother and father, Regina Maria Sivori and Mario Bergoglio, in the 1930s and 40s is gone now, but the bus cruises down the tree-shaded middle-class street past the property, where another dwelling was later built.

Nearby there's the little plaza where he played soccer as a boy, and the narrow, neo-classical San Jose de Flores church where he worshipped as a teenager and felt called to devote his life to God.

Visitors also see the seminary in the leafy neighborhood of Villa Devoto where Bergoglio decided to become a Jesuit priest, and the Metropolitan Cathedral, which looks more like a classical Greek temple than a typical Catholic church. Bergoglio eventually presided as the capital's archbishop in the imposing structure, which also houses the tomb of South American independence hero Jose de San Martin.

The tour also passes by the Jesuit College of El Salvador, where Bergoglio taught literature and psychology in the 1960s, and the Salvador University he later oversaw.

The tour leaves out the gritty slums where Bergoglio's church was a frequent benefactor, but there's a nod to his reputation for ministering to society's outcasts: a swing past the Devoto prison where he often said Mass on the Thursday before Easter.

The bus finally stops at the parish of San Jose del Talar, where visitors can pray at a sanctuary that features a painting of the Virgin untying knots and passing them to angels. Bergoglio had the painting brought from Germany in the 1980s, and ever since, attendance at the church has soared.

Less sacred ground is covered as well. The bus stops downtown at the historic Roverano passageway, where Bergoglio had a monthly haircut for 20 years at Romano's barber shop, a high-ceilinged place that seems to have been frozen in time since the early 20th Century. But the barbers would rather not be bothered: Tourists are advised to gawk from outside as the artisans with scissors and razors work on their mostly elderly clientele.

"It's a pride to have had Monsignor Bergoglio, now Pope Francis, as a client every month for 20 years," says a poster stuck to the shop window.

Owner Nicolas Romano, 72, is only four years younger than the pope. He told an Associated Press team that returned for a post-tour interview that Bergoglio came to the barbershop until about a decade ago, when one of the barbers began giving him a personal trim at the archbishop's office. An assistant also gave him a monthly pedicure.

"He was a man of few words. He spoke just what was needed, sometimes of politics or current affairs," said one of the barbers, 71-year-old Mario Saliche.

The tour ends at the Plaza de Mayo, which is fronted by the cathedral and the office building where Bergoglio lived alone in a humble room, shunning an ornate diocesan mansion in a northern suburb. The church has not provided outsiders with access to this bedroom, despite the curiosity of the faithful.

Across the plaza is the newsstand where Bergoglio bought his La Nacion paper on Saturdays and Sundays.

"He paid me with coins and we chatted about soccer and how things were," said Nicolas Schandor, who owns the weekend stand. He also said Bergoglio would stop to chat with war veterans occupying the plaza, and give food to the poor who slept on the cathedral's steps. "He's a very simple person. Nobody expected he would become pope."

Schandor's kiosk is one of the few attractions on the trip that shows any evidence of papal commerce: A plastic key holder with the pope's image goes for about $1.90, and a calendar costs $2.30. Schandor said some tourists even have themselves photographed with him.

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AP Video available at https://vimeo.com/66256578


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Thứ Hai, 6 tháng 5, 2013

AP PHOTOS: Buenos Aires a street art Mecca

BUENOS AIRES. Argentina (AP) — In most major cities, street artists create their works under cover of darkness, spray-painting their graffiti quickly to elude arrest. Not so in Buenos Aires, where painters have found a surplus of empty walls to splash their colors on, building owners who readily consent to having their walls painted, and a local government that has subsidized some of the urban murals.

Buenos Aires' welcoming attitude has made it one of the world's top capitals for international street muralists, drawing well-known urban artists such as Blu of Italy, Jef Aerosol of France, Aryz of Spain, Roa of Belgium, and Ron English of the United States.

International artists come here to spray-paint graffiti as well as other styles and methods of street art on the walls of plazas and buildings because local authorities have shown themselves receptive to the creations, said Matt Fox-Tucker, an Englishman who created the website buenosairesstreetart.com, focusing on the city's urban murals.

While it's illegal to paint on the side of a building in the public right of way without an owners' permission, artists can do pretty much as they please with an owner's OK.

"In most cities in Europe this is not possible and the owner of the building needs planning permission or consent from the local authority to alter the appearance of the building," said Fox-Tucker, who leads tours of the local street art several times a week.

The urban artists generally go door to door seeking approval from building owners before starting a mural. Owners usually agree, especially if the mural of aerosol, acrylic or oil paint will cover up political slogans and other graffiti already painted there.

With an abundance of unoccupied and abandoned structures and dividing walls between buildings, there are plenty of spaces for urban artists to create their work.

Blu painted one of the city's better known pieces of street art on the side of an enormous concrete building once scheduled for demolition in the Villa Urquiza. The 2007 painting shows a giant baby on his back, holding a pill in his right hand. White, black, red and orange dominate the work showing the inside of the child's body invaded by machinery and people pushing wheelbarrows and performing other tasks, alluding to the exploitation and corruption of human beings.

Local painters, including Argentine Martin Ron, also take advantage of the relatively lax rules for street art, and they consider the traffic patterns of cars and pedestrians to get the best exposure for their work.

"The paintings are seen in the most routine" of circumstances, said Ron, such as the commute from home to work. "The works take you by surprise."

"For those who are interested, it helps you interpret and discover things," said the artist, who has painted a series of murals of popular idols such as soccer player Carlos Tevez.

A towering Tevez rendered in turquoise and white, his long dark hair flowing behind him, looms over a soccer field in the humble Fuerte Apache apartment complex where the athlete grew up. The mural serves as "a stimulus and motivation" for local kids who play soccer, Ron said.

Along with fellow painters Lean Frizzera and Emy Mariani, Ron also recreated the legendary "Hand of God" goal scored against England by Argentine soccer star Diego Maradona during the 1986 World Cup in Mexico City. That mural, which shows Maradona thrusting his left arm into the air, stretches about 30 meters long and six meters high under a commuter train bridge.

The murals of both soccer players were subsidized by local authorities to spruce up the neighborhoods around them.

Martin's other creations include a smiling version of celebrated writer Ernesto Sabato and a powerful rendering of retired erotic film star Isabel Sarli.


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